Pianos by nature and size do not do through doorways, across floors, or down halls easily. Equally important, the location the piano came out of and is going into needs to remain intact as well. Regardless of the type of piano, whether a smaller spinet worth hundreds or a 11 foot concert grand costing upwards of $1,000,000 dollars, Denver Piano Movers knows what has to be done and how to do it to make sure the instrument arrives intact. It takes experience to move them safely, and without costly mistakes. We are licensed and insured, and know what is involved with moving such an expensive or sentimental item that can very easily be damaged when the moving crew does not know what they are getting into. I’ve stopped worrying about how long a job takes and instead concentrate on doing everything that needs to be done the best that I can.Denver Piano Movers is experienced in moving pianos, organs, and similar instruments of all sizes and ages. It’s easy to start cutting corners, but then the quality of your work will decline. What I enjoy most about my job is when a customer has had an out-of-tune piano for a long time, and I am able to spend two to three hours working on it and they say, "I don't think that piano has ever sounded that good before!" Then I know that what I am doing is meaningful and important. The demand for my service does not allow the time required to be a church musician or play other gigs. Over several years, I have been able to memorize several pieces from diverse musical styles. This allows me to play most every day, and since I am always at a different house, my wife doesn't have to put up with the repetition of practice. I currently play for my customers after tuning their pianos to verify that I have done an excellent job. She told a story about four brothers running through the woods carrying the piano so the Union soldiers would not destroy it. One lady had bequeathed to a friend her family piano - one of the first Chickering upright pianos built. There are many unique and special pianos that I have serviced. At this time, I don’t do any moves outside of Mississippi. As the distance increases, so does the price, so customers can usually get local tuners more affordably. My piano moving service causes more travel than tuning. I have developed equipment and skills that allow me to move almost all pianos by myself. I’m proficient in the workings and repairs required to keep your piano working correctly but am not well-suited to doing a complete rebuild, so I refer those jobs to technicians.Īfter purchasing my first truck primarily as a "rolling shop," I saw the need for someone skilled at moving pianos. As my business has matured, I have found my main skill and passion is excellence in tuning. When I first started working, I was willing to do just about anything - hunger has a way of doing that. I continued to do both tuning and work at MRC until 1996, when I became self-employed as a full-time piano technician. After about a year, one of the procedures that I was doing was transferred to another department, and I started tuning pianos as a part-time effort to supplement my income. In 1986, I started working at Methodist Rehabilitation Center in the Biomedical Engineering Department. I did occasional tunings for about 10 years while working other jobs. It takes years to develop your hearing and the precise movements with the tuning hammer required to get the more than 200 strings in a piano adjusted so it sounds good not only while I am there, but especially after I leave. There is no shortcut to becoming proficient at tuning a piano. Many people who work on and tune pianos have been very helpful in assisting me in learning and improving my skills. I tell people that although I am not a native Mississippian, my children are! I’m glad to say that I have been here ever since. In 1977, I wanted to be closer to my older brother who lived in Mississippi, so once again, I loaded up the car and drove to Jackson. I did play professionally for a few years but relocated back to the West in the mid ‘70s. My reasoning for this program choice was that I wanted to perform, and performance is based on how well you play, not how many letters you have behind your name. I was accepted, and after two years at UNC, I packed up my car and drove east until I arrived in the "Big Apple."Īfter receiving my bachelor of music degree at the Manhattan School of Music, I attended the Professional Studies Program at the Juilliard School of Music, also in New York City. A professor at UNC encouraged me to audition for the Manhattan School of Music in New York City. Hinkley High School in Aurora then started college at the University of Northern Colorado in Greeley. I was born in Denver, and we moved to Aurora, a suburb of Denver, when I was 2. I live in Madison, and my business is The Piano Man.
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